BROADCASTING
Nigeria’s Digital Switchover: Fresh Missteps Loom
Published
2 years agoon

By Dominic OMUEDI
Heartwarming, it was for me, to read reports of the press conference addressed on Tuesday by Alhaji Lai Mohammed, Minister of Information and Culture, on the country’s Digital Switchover (DSO) process, which seemed to have been interred under the rubble of poor conception, mismanagement and corruption.
The cheer brought by the government’s announced intention to reboot the process, positive as appears, has shown nothing beyond the fact that the DSO process is not completely forgotten. No more. No less.
At the press conference, Mohammed unveiled a 13-member Ministerial Task Force to take charge of the DSO process which, for years, has proceeded in staccato fashion and left the country trailing many others, including in Africa.
Members of the task force, to be chaired by Mohammed, include Joe Mutah of the Federal Ministry of Information and Culture (Secretary), Dr Armstrong Idachaba, acting Director-General of the National Broadcasting Commission (NBC); Olusegun Yakubu of Pinnacle Communications and Toyin Zubair, promoter of the defunct HiTV and now of Inview.
At the press conference, Mohammed announced that the Federal Executive Council (FEC) has approved outstanding payments to key DSO stakeholders; a development he said will remove all the hindrances to the entire process in the past three years. The funding source for the DSO, broadcast industry experts reckon, is from the N34billion paid by MTN for broadcast frequency.
“With the payment approval by FEC, and with 31 states to cover, we have our work cut out for us. We have no more excuses for not rapidly rolling out the DSO across the country, hence my decision to set up a 13-member Ministerial Task Force, which I will personally chair, to take charge of the rollout,” the minister said excitedly.
He added that the government took a decision last year, on account of the financial difficulties induced by Covid-19, that the DSO process will be private sector-driven, effectively cancelling the plan to provide subsidies for Set-Top-Boxes (STBs) or signal carriage.
What followed, typical of pronouncements on the DSO was a raft of big-sounding and dreamy projections. The DSO, said the minister, will deliver over one million jobs in the next three years, with 50,000 of such coming via local production of 24 million STBs and Smart TVs.
“Not even 20 Set-Top-Box manufacturers can comfortably produce the initial requirements to feed the market. Furthermore, our position in West Africa, coupled with our size, makes us the definite source of these products for the whole sub-region,” he said.
Television production, he said, will create 200,000 jobs, as digitization will lead to “180 state channels, 30 regional channels and at least 10 national channels”. Digitization, he added, will boost local content propagation and draw many more Nigerians into the business. This, he said will create 400,000 jobs in film production and nudge Nollywood towards subscription Video-On-Demand on STBs and online, thereby providing cheaper distribution means, helping producers to make more money.
The envisaged boom in production, added the minister, will create an additional 200,000 jobs via an increase in foreign demand for fully indigenous content and fetch the country in excess of $100 million.
“I have no doubt in my mind that a successful DSO is not just a job spinner, creating over one million jobs in three years, but also a money-spinner,” said the minister.
Anyone familiar with the country’s DSO journey will not just doubt the minister’s projections, but dismiss them as drunkenly optimistic, especially given how squalidly it has been managed.
Undoubtedly, poor funding has inhibited the process. But more than that, squalid leadership and ill-conceived strategy are greater inhibitors. For instance, despite the pilot project, with the last roll-out three years ago in Osogbo, Osun State, there is no sustainable Digital Terrestrial Television (DTT) coverage even in Plateau, Enugu, Osun, Kwara, and Kaduna states as well as the Federal Capital Territory, which were pilot states. Free Tv signals limited to state capitals.
This implies inhabitants outside state capitals are excluded and shows that the broadcast signal carriers selected for the DSO have the inadequate technical and financial capacity for effective DTT coverage, the first step in the DSO.
The minister’s near-orgasmic projections on STBs, which convert analogue signals to digital, ignore the fact that the country, for strange reasons, chose a process that builds conditional access (CA) on top of the STBs instead of a standard affordable STB process.
This means that the STBs process adopted for Nigeria’s DSO will be out of the financial reach of most Nigerians. The standard STBs for DSO are supposed to receive free-to-air signal and affordable. Those with conditional access built onto them are similar to pay television STBs and are much pricier. Inview, the company providing the TV system/ conditional access, has already been paid N1billion for running the TV system only in Abuja and Jos.
The company and others involved in the process are understood to have filed invoices for additional sums.
The cancellation of subsidy for STBs, forced on the government by the inclement economic climate, is certain to ensure that the prices of the boxes will stretch users to breaking point. Prior to the devaluation of the naira, for instance, the recommended price STB ranged between N20,000 and N30,000. The boxes used in the roll-out at pilot locations were all imported, with the Federal Government giving the alleged STB manufacturers guarantees to fund the importation to the tune of N5billion.
The inordinately ambitious projection that Nigeria will, within three years, be heaving with locally manufactured STBs is something akin to a boxer’s boast-full of sound and fury.
According to experts, there are only three companies claiming to have STB assembly lines in the country and not a single one is manufacturing. How the few companies, even operating at full capacity, can assemble 24 million STBs over five years has something that has eluded experts, who reckon that it will take a minimum of five years to meet the demand of 24million users- if all the companies function at full capacity. Importantly, not one of those claiming to have assembly/manufacturing capacities is in operation, meaning that they are engaged in no economic activities and employ nobody, thereby bilking the country through government contracts.
But they are not alone and are actually encouraged by the disposition of government officials, who view funding for the DSO process as “serve yourself,” the local parlance for the buffet.
In a 21 March 2019 report published by The Guardian, experts interviewed identified corruption as the main obstacle to the country’s transition from analogue to digital broadcasting. A Director-General of the National Broadcasting Commission (NBC) is on suspension from office and facing prosecution by the Independent and Corrupt Practices Commission (ICPC) over the alleged fraudulent release of N2.5billion to a private company.
The matter, which is before the Federal High Court, Abuja, relates to the 2016 release of N10 billion to the Ministry of Information and Culture for the DSO.
The ICPC is accusing the suspended D-G of using his position to confer a corrupt advantage on his associates in two private companies.
The suspended D-G is alleged to have asked the Information Minister to approve payment of N2.5 billion to Pinnacle Communications Limited, a private signal distribution operator, as a “seed grant” for the DSO for which it was ineligible.
Mohammed, who was listed as a witness in the trial, claimed he approved the payment based on expert advice given by the suspended D-G. The DSO guidelines, provided by a Federal Government Whitepaper, directed that the process be exclusively managed by companies affiliated to the Federal Government. Based on the guidelines, two companies were nominated for the purpose.
One of these was ITS, an affiliate to the Nigerian Television Authority (NTA), which has no infrastructure of its own and is relying on the one owned by another private operator. It got also go N1.7billion as seed grant.
The assumption that our wonky DSO system will boost local content production because it will serve as a distribution platform is also one without basis, as International Telecommunications Union (ITU) DSO policy is simply transiting free-to-air analogue signals to a digital signal. Thus, Nigeria’s system, with its in-built conditional access system, will rob Nigerians of the constitutionally-guaranteed right to receive information in view of the fact that most free-to-air broadcasters are government-owned.
In effect, 90 million Nigerians already living in poverty will be required to buy STBs, movies online and unlimited internet service to access such.
The claim that Nollywood output will benefit from better distribution is also a ruse. Nigerians are already using smart devices through which they access Nigerian creative content online.
Many have also blamed ministerial interference for the corrugated DSO process, arguing that worldwide, the DSO process is driven by the regulator and the industry.
What I have observed since 2015 is a lot of ministerial interference which, in addition to other factors, will leave the country panting to achieve DTT coverage by the time the rest of the world would have moved on a more modern platform, the OTT.
**Omuedi, a retired broadcast engineer, writes from Ughelli
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BROADCASTING
Africa 24 Group Joins The African Union Of Broadcasting (AUB)
The Africa 24 Group will actively participate in all the activities of the African Union of Broadcasting, particularly in the broadcasting, distribution and sharing of its contents to all members of the AUB
Published
2 months agoon
3 February 2023
The Africa 24 Group has become a member of the African Union of Broadcasting (AUB), the biggest media professional organization in Africa with over 80 members.
The AUB is also the only African organization, member of the World Broadcasting Union (WBU).
The Africa 24 Group will actively participate in all the activities of the African Union of Broadcasting, particularly in the broadcasting, distribution and sharing of its contents to all members of the AUB across the continent and its associate members around the world.
The continent’s leading audiovisual brand, Africa 24 Group has had a total of 4 full HD television channels since November 2022, each, leader in their segment:
- Africa 24: Leader of information in French on the Continent, published by Amedia
- Africa 24 English: Leader of African Information exclusively in English
- Africa 24 infinity, the channel of creative talents dedicated to music, art, culture, fashion
- Africa 24 Sport: first channel of sports information and competitions of the Continent.
According to Mr. Grégoire Ndjaka, Director General of the AUB, “the Africa 24 Group, which has been the official media partner of the African Union since 2019, joins the big family of the AUB, its 80 members and partner institutions to share a common vision of promoting the continent’s media.
“We will develop a dynamic platform with Africa 24 to reinforce a positive narrative of Africa’s past, present and future potential. The Africa 24 Group is a real continental success, thanks to its ability to develop content at the local level on the major themes of current Africa.
“We must work together to promote, strengthen the influence and consolidate the position of the countries of the continent on African and global issues.”
For the Africa 24 Group, which will celebrate its 15th anniversary in February 2024, joining the AUB is a major step that marks a new dynamic in its development.
From being the continent’s leading French-speaking news channel, Africa 24 is now a leading publisher with a unique reputation among the African population, senior executives and decision-makers.
The solid development prospects of the Africa 24 Group are in line with the partnership signed between Africa 24 and the African Union and its member countries like the Republic of Cameroon, which is a reference institutional partner of the Media Group.
For Mr. Constant Nemale, founder of the Africa 24 Group, membership with the AUB marks a new direction that is part of the “Attractive Africa” vision, the objective of which is to see African institutions and business enterprises support and promote the development of the continent through innovative local content.
“Becoming a member of the AUB is the greatest professional reward for the Africa 24 Group. This membership will enable our media through its 4 channels to collaborate more effectively with all the media on the continent, to strengthen the quality of productions, develop synergies, and be part of a dynamic of cooperation to initiate content in the official languages of the continent, namely French, English, Portuguese, Arabic, but also in the various African local languages.”
Through its “AUBVision” content exchange platform, the AUB makes available to its African members and partners (European Broadcasting Union – European Radio-Television Union (EBU), Radio-Television Union Arab States (ASBU) and the Asia-Pacific Broadcasting Union (ABU), etc., contents of Africa 24 Group.
The African Union of Broadcasting and the Africa 24 Group will initiate a joint development program in sports, and the creative industries, in the training of media professionals and also towards institutional and corporate partners to promote African creative genius in all fields.
BROADCASTING
BON Postpones TNBA, Extends Deadline For Entries
Published
5 months agoon
21 October 2022
The Broadcasting Organisations of Nigeria (BON), organisers of The Nigeria Broadcasting Awards (TNBA), have postponed the awards ceremony to April 2023 and extended the deadline for the submission of entries into the various award categories.
The postponement decision was reached during a review meeting held on Tuesday 18th October 2022 between the Steering Committee, the Consulting firm, and BON Secretariat.
According to the committee, headed by Mr. Guy Murray-Bruce, President, Silverbird Group, the postponement became necessary in view of the number of broadcast professionals hindered from meeting the 23 September deadline for submission of entries by technology and courier companies, adding that the new deadline is 15 January 2023.
“We received 471 entries at the expiration of the deadline for submission. But we kept receiving pleas for an extension.
“After considering the reasons given by prospective entrants, who could not meet the original deadline, we resolved to extend the deadline, so as to have a really competitive process and ensure that we do not marginalize people, whose bids to file entries were thwarted by poor internet connectivity and delays by courier companies.
“We realized that both factors were beyond their control and felt it would be unfair to exclude them from the awards process on such bases. We have, therefore, extended the deadline to 15 January 2023,” the statement said.
The Steering Committee also extended the time span of entries eligible for consideration by the judges’ committee, headed by Mr. Emeka Mba, former Director-General of the National Broadcasting Commission (NBC), to 31 December 2022.
This implies that entries must be original copies of work undertaken between August 1, 2021, and 31 December 2022, as against the previously announced date of 31 August 2022.
Entries are also required to be accompanied by entrants’ resumes and are to be submitted either as an MP3 audio file for radio or an MP4 video file for TV.
TNBA, according to BON, is a platform for the recognition and celebration of professional excellence in the Nigerian broadcasting industry. The award has 12 competitive categories in radio and television and is open to broadcast platforms licensed by NBC.
BROADCASTING
NBC Fines DSTV, Trust TV, 2 Others N20m For ‘Terrorism Glorification’
-Says Fine Must Be Paid On Or Before August 30
Published
8 months agoon
4 August 2022
The National Broadcasting Commission (NBC) has imposed a fine of N5 million each on Multichoice Nigeria Limited, owners of DSTV, TelCom Satellite Limited (TSTV), and NTA-Startimes Limited for broadcasting a documentary by the BBC Africa Eye titled, “Bandits Warlords Of Zamfara”.
Also fined the sum of N5 million was Trust Television Network (Trust TV) for the broadcast of another documentary titled, “Nigeria’s Banditry: The Inside Story”, which was aired by the station on March 5, 2022.
NBC made this disclosure in a statement titled: ‘NBC Sanction PayTV Platforms’ which was issued on Wednesday. August 3, 2022, and signed by its director-general, Balarabe Shehu Illela.
DigitalTimesNG recalls that last week Thursday, the Minister of Information and Culture, Lai Mohammed, noted that the Federal Government would sanction Trust TV and BBC for “terrorism glorification” in their documentaries.
Mohammed said the federal government was aware of the “unprofessional” documentary by the BBC Africa Eye, where interviews were granted to bandit warlords and terror gangs, thereby promoting “terror” in the country.
While acknowledging the need of educating, informing, and enlightening the public on issues bordering on developments and happenings within and outside the country, the Commission in the statement, advised broadcasters to be circumspect and deliberate in the choice and carriage of contents deleterious to Nigeria’s national security.
Consequently, NBC said the airing and carriage of these documentaries, contravened the provisions of the Nigeria Broadcasting Code, Sixth edition.
The relevant sections cited include “3.1.1: No broadcast shall encourage or incite to crime; lead to public disorder or hate, be repugnant to public feelings or contain an offensive reference to any person or organization, alive or dead or generally be disrespectful to human dignity;
”3.12.2: The broadcaster shall not transmit a programme that incites or likely to incite to violence among the populace, causing mass panic, political and social upheaval, security breach and general social disorder; and
“3.11.2: The Broadcaster shall ensure that law enforcement is upheld at all times in a manner depicting that law and order are socially superior to, or more desirable than crime or anarchy.”
NBC said the imposed penalties on the broadcast media platforms and station were to be remitted not later than August 30, 2022.
While warning that failure to comply with this directive will lead to the imposition of a higher sanction as provided in the Code, the NBC enjoined broadcasters to be instruments of national unity and desist from falling into antics of using their platforms to promote and glamorise subversive elements and their activities.
“Please note that every broadcast station or platform is responsible for the content it transmits or transmitted on its platform, and shall be held liable for any content in violation of the Nigeria Broadcasting Code,” the Commission added.

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